Student Master Classes

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Participate in an ASTA Student Master Class with instruction from an expert clinician at the 2027 National Conference!


In a 60-minute session, two students will each receive 30 minutes of one-on-one instruction.


Applications DUE Thursday, October 1, 2026.


Apply in one of the following categories:

  • Pre-Collegiate Violin
  • Pre-Collegiate Viola
  • Pre-Collegiate Cello
  • Pre-Collegiate Double Bass
  • Collegiate Violin
  • Collegiate Viola
  • Collegiate Cello
  • Collegiate Double Bass
  • All Level Eclectic Styles (solos or groups)
  • All Level Chamber Music

BEFORE submitting your application, make sure to review the ASTA Student Master Class Application Guidelines


Prepare the following for your application:

  • Please ensure you have determined what repertoire you would like to perform if selected. Include title, movement (if applicable), and composer.
  • All applications must include an uploaded video file. *This video does NOT need to be a piece you intend to play for the class if selected.
  • If applying for the Chamber Music or Eclectic Styles with a group, also include: Full name (first and last) for all students intending to participate in the ensemble/group and each student's instrument.
  • All applications must include contact information for an ASTA Member Sponsor: a studio/private teacher, school teacher, or other sponsor that is a current ASTA member to sponsor your application and participation, if selected.
  • If requested, ASTA will provide a collaborative pianist for the master class performance and a 30-minute preparation session prior to the master class performance.

Applications will be reviewed and notifications will be sent in November 2026.


Master Class performers will receive complimentary conference registration for their performance day and those under 18 will also receive 1 complimentary chaperone registration for the performance day. If you wish to attend additional conference days, paid registration will be required. For questions about Master Class sessions, please email us at meetings@astastrings.org.

2027 Student Master Class Clinicians

  • Pre-Collegiate Violin

    William Terwilliger

    University of South Carolina - Columbia

  • Pre-Collegiate Viola

    Derek Reeves

    Purdue University - Fort Wayne

  • Pre-Collegiate Cello

    Meredith Blecha-Wells

    Colorado State University

  • Pre-Collegiate Double Bass

    Michael Geib

    University of Central Oklahoma

  • Collegiate Violin

    Danielle Belen

    University of Michigan

  • collegiate viola

    Erika Eckert

    University of Colorado - Boulder

  • Collegiate Cello

    Denise Djokic

    McGill University

  • Collegiate Double Bass

    Nicholas Walker

    University of Michigan

  • All-Level Chamber Music

    Ka-Wai Yu

    Utah Tech University

  • All-Level Eclectic Styles

    Rachel Barton Pine

2027 Master Class Schedule


All Master Classes will take place in E270


Thursday, February 25


10:00-11:00 AM - Collegiate Double Bass

Nicholas Walker is a double bassist, Professor of Music at the University of Michigan, Fulbright Scholar, and former President/Artistic Director of the International Society of Bassists. A versatile performer and composer, he is principal bass of the Cayuga Chamber Orchestra and appears with leading ensembles internationally. He holds degrees from Rice University, the Nadia Boulanger Conservatoire de Paris, and Stony Brook University (DMA, 2004). He teaches at Domaine Forget, and previously at Ithaca College.


12:30-1:30 PM - Collegiate Cello

Recently nominated for the Oskar Morawetz Award for Excellence in Music Performance, Canadian-American cellist Denise Djokic has earned recognition across the globe as a soloist, chamber musician and educator. Denise served on the faculty of the School of Music at the University of Illinois at Urbana-Champaign from 2021-2025, where she was recognized for excellence in teaching by the Center for Innovation in Teaching and Learning. In 2025, she was appointed to the faculty of the Schulich School of Music at McGill University in Montréal, Québec.


2:00-3:00 PM - Collegiate Viola

Erika Eckert has been viola professor at the University of Colorado Boulder since 1994. This past summer she taught at Madeline Island Chamber Music and Interlochen Viola Intensive. As co-founder and former member of the Cavani String Quartet, Eckert continues to prioritize chamber music performing and coaching. Her primary viola mentor, Heidi Castleman, remains an invaluable inspiration in her studio teaching. November to December 2025 Eckert served as an American Viola Society Artist in Residence.


3:30-4:30 PM - Collegiate Violin

Danielle Belen is Professor of Violin at the University of Michigan School of Music, Theatre & Dance. Winner of the 2008 Sphinx Competition, Ms. Belen has appeared as a soloist with the Pittsburgh, Atlanta, Nashville and San Francisco Symphonies, the Boston Pops, and the Florida and Cleveland Orchestras. She is a graduate of the USC Thornton School of Music and the Colburn Conservatory in Los Angeles. Her passion for pedagogy can be seen in her vibrant and unique teaching style. Ms. Belen plays on a violin made in Mantua, Italy by Stefano Scarampella.


Friday, February 26


8:30-9:30 AM - All-Level Chamber Music

Ka Wai Yu is Associate Professor of Music at Utah Tech University where he teaches cello and chamber music. He regularly presents in the conferences of ASTA and NAfME, and is a board member of Utah ASTA. Currently the Principal Cellist of the Southwest Symphony Orchestra, Dr. Yu is a founding member of the Zion Trio and Cosmopolitan Baroque. He holds degrees from University of Illinois, Indiana University, and the Chinese University of Hong Kong.


10:00-11:00 AM - Pre-Collegiate Double Bass

Described as a "masterful" artist, protean bassist Michael T. Geib defies musical boundaries. A true musical chameleon, he thrives in any setting—empowering bassists to master all styles, rooted in his doctoral research on double bass improvisation. Beyond his work as a Clemson Artist in Residence and UCO Professor, he is a Grammy Voting Member and featured artist for D'Addario, KRUTZ Strings, and Onyx Lane.


12:30-1:30 PM - Pre-Collegiate Cello

Praised for her “beautifully full and lyrically strong tone” by Gramophone Magazine, Meredith Blecha-Wells is a sought-after performer and instructor. She has played throughout much of the United States, Europe, Australia, South America, and Asia. A passionate pedagogue, Dr. Blecha-Wells serves on the faculty at Colorado State University. She received a bachelor's and master's degree in Cello Performance from Indiana University, studying under Janos Starker, and a DMA from the Eastman School of Music.


2:00-3:00 PM - Pre-Collegiate Viola

Derek Reeves is Principal Violist of the Fort Wayne Philharmonic and Violist of The Freimann Quartet. He teaches violin and viola at Purdue Fort Wayne, and has taught master classes at Juilliard, Ball State and is a member of the Brevard Music Center viola faculty. He is the founder of an El Sistema based string program in Fort Wayne’s “Club O” program, which now includes three Title 1 schools.


3:30-4:30 PM - Pre-Collegiate Violin

Violinist William Terwilliger has performed throughout the US and on six continents. As Professor of Violin at USC Columbia since 1999, he has given master classes and clinics across the globe and has presented at numerous national conferences of ASTA, MTNA, and CMS. With pianist Andrew Cooperstock, he has recorded critically-acclaimed CDs of Aaron Copland, Lowell Liebermann, Paul Schoenfield, Leonard Bernstein, George Gershwin and Stephen Sondheim on the Azica, Albany, Naxosbels.


Saturday, February 27


10:00-11:00 AM - All-Level Eclectic Styles

The acclaimed American concert violinist Rachel Barton Pine thrills international audiences with her dazzling technique and lustrous tone. With an infectious joy in music-making and a passion for connecting historical research to performance, Pine transforms audiences’ experiences of classical music. She is a leading interpreter of the great classical masterworks and of important contemporary music.


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