Featured Resources

4 Free Assessments for String Teachers   
Choose from:
Baseline: I Can Play with Correct Position
Developing:Tonal Development Rubric
Proficient: Perform or Improvise Simple and Complex Rhythm Patterns
Advanced: Advanced Bowing Checklist-Practice and Assessment
Overcoming Performance Anxiety   
Virtually all performers are affected to some degree by musical performance anxiety, and we could all benefit by learning how to decrease it. We would also like to help our students overcome their anxiety...
A Sequential Approach for Intermediate Cellists    
Effective teachers must have a well-organized pedagogical system that works, including good materials and clear sequencing. They have to balance the right amount of technique and repertoire, as well as the big picture and the small picture...
Exercises for Developing the Violinist's Left Hand    
String teachers of all levels are constantly looking for ways to help students develop strength and agility of the left hand. ASTA requested sample exercises from members through a "wanted" advertisement that appeared in the American String Teacher journal...
New Ideas and Old Reminders for the New School Year  
As teachers prepare for the new school year, it is important to reflect on current ideologies and strategies and to search for methods of improvement. New ideas and old reminders can be invaluable when building and nurturing a string program...
The Right Words at the Right Time  
I think that, as teachers, we all can recall moments of epiphany when a word, phrase, image, analogy, parable, or some other linguistic form that we uttered to our students clicked with them, and "they got it!" Not only did they get it, but they got it immediately, and could execute the skill or technique relatively easily...
Easing into Vibrato  
Some students are able to produce a beautiful vibrato seemingly without effort while others struggle, working to produce a relaxed motion. It is much easier to teach a relaxed vibrato early than to correct a tense vibrato later. But when should vibrato instruction start?
Contact Point Technique  
These exercises are easy to implement at all levels and take very little time during an orchestra rehearsal or private lesson. I have found that when I teach these contact point exercises to my young orchestra students, they are able to immediately apply the technique when they play…
Strategies for Improving the Intonation of Your Orchestra  
Orchestra directors who address tone production, intonation, and rhythmic precision as important priorities in rehearsal will greatly improve the sound of their orchestras. Of these three areas, fixing poor intonation can be the most challenging to address because it requires tremendous patience and ongoing attention from both director and students.…
Fostering Effective and Enjoyable Practice  
While learning to play an instrument requires regular practice, distinguished pedagogues and research suggest there is often a lack of teacher guidance on practicing effectively and efficiently.…
Variations: Building Rhythm and Technique in a Multi-Level Reality  
What can you teach beginning string players that will help them continue learning throughout the first year or two? What simple song can withstand a million repetitions and their parents' plea, "Oh, no, not that song again?...
Balance Training for Musicians  
Of all the skills we teach as musicians, feeling is one of the most challenging. To encourage the emotional side of feeling, a teacher can create storylines and invoke images or colors, but how do you teach a student what a supported body or bow arm feels like?…
Ways to Do More Than Just Survive Your First Year of Teaching  
An undergraduate music education professor once told a class of future music educators that the ideal job for first-year teachers was in a program that need to be rebuilt. His reasoning: anything a new teacher can do, as long as they do it correctly, is a step in the right direction. …

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